
RECORDED WEBCAST
Thursday November 5, 2009 from 7:00 to 9:00 pm
What type of financial strategy do you have for your film and how do film festivals fit in? Can you do business at places like HOT-DOCS, Sundance, IDFA, Tribeca, Sheffield? And what type of business should you expect? Or is it all show and no business? Are festivals only for an elite group of filmmakers and meager budgets should be spent elsewhere?
Listen to two experienced filmmakers who understand the world of documentary film finance and how film festivals fit into this process.
Daniel Cross is the founding co-owner of EyeSteelFilm, a documentary production house in Montreal. He is the executive producer of award winning films such as Up the Yangste and RiP: A remix manifesto. He is also the director of SPIT: Squeegee Punks in Traffic, THE STREET: a film with the homeless, CHAIRMAN GEORGE: From Athens to Beijing. Daniel is an assistant professor at the Mel Hoppenheim School of Cinema, Concordia University.
Felice Gorica of Gorica Productions of Toronto is the author of Canadian Television Financing: the Buck Starts Here. She is a known authority on financing issues and the business of Canadian television.
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